A HANDFUL OF DUST
Most museums have signs telling visitors to keep
their hands off the exhibits. The Government
Museum in Madras takes another approach. It
warns staff to keep their hands off the visitors.
And at cricket pitch intervals along each wall, signs
say "Please do not pay tips to staff. In case of
harassment please report to the following officials..."
Yet, like children tempted by chocolate, the
staff seem unable to resist. I was given scant
chance to enjoy the wonder of this fine collection, the remains of the
Buddhist Amaravati stupa.
First, the creaking old attendant told me
what it was. Since I'd already read the sign above the door, I didn't think
this warranted any greasing of the palm he presented. And no, I wasn't
planning on changing any money, and no, I didn't have any American
coins, and if I had, I certainly wouldn't give him any.
Thus rebuffed, he
followed me around the room, muttering -- luckily in Tamil, so the no
doubt horrible curses were incomprehensible to me.
If I'd seen him cleaning any of the exhibits, however, I would have
been pleased to hand over a healthy tip, for the details of most
sculptures are obscured by a thick layer of dust.
And from the contents
and nature of the labels and the style of the exhibition, nothing has
changed here in 100 years.
India has many great museums, but almost without exception they
are as much fossils as the hundreds of millennia-old, giant 'stone trees'
they inevitably harbour. Scarcely a sign or label appears to have been
touched since the Brits left, producing some hilarious anachronisms:
In the Central Museum In Jaipur, Rajasthan. little models have labels like
"Barber's wife tending native woman's hair". I wonder what the locals
think of that? Or signs proclaim colonial-era truths like "A true Rajput
puts his life at stake If his womenfolk are molested". Throughout the
country's museums the 'natives' can read about Aryan characteristics,
the Aryan invasion, and simplistic tales long debunked by historical
research.
It's easy to laugh at these oddities, yet It's really no laughing matter.
For India is a country where the multitudes lack education and the
authorities a hunger to provide It. Visiting museums is not an elite
activity, but one which every sector of society enjoys. Entry fees are
generally the equivalent of only one or two baht, and many poor, even
ragged, families parade every museum.
Institutions of modern, user-friendly design, with up-to-date
information, could provide valuable informal education. In their current
form, they are not only Ineffective, but harmful.
Throughout India, newspapers daily report government plans for
bureaucratic reform, restructuring, or, In the latest buzz-word, re-
engineering. But one feels the relics wilt need to be blown out of the
political system before we see much of that.
This article first appear in Bangkok Metro in 1997
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